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Fiona Glen

–– writer –– artist –– editor ––


~fresh work out with ~ CWYR zine, Strings ~

Projects
++
  1. Shapeshifter: Tracing the Cultural Octopus
  2. Mycoglossia with Nina Hanz – HVTN Press
  3. transient guardians – Magical Octopus
  4. Meat Dreaming – Sticky Fingers
  5. Slimy, Sticky, Sweet – Aww-Struck + SPAM
  6. Ground Up – ICA x BBC New Creatives
++ OTHERS

Workshops, Courses + Programmes
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  1. HUM MURMUR MUTTER – Camden Art Centre
  2. Attendant Writing – LOT + Glengall Wharf
  3. Inside Your Mouth – Camden Art Centre
  4. Gut Feelings – TACO!
  5. Playing Houses – Flat Time House
  6. *immersions – Al Ma’amal
++ OTHERS

Poetry
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  1. Unflock – Strings
  2. Wriggler + Squid – Brilliant Vibrating Interface
  3. As Silica – Dark Mountain 24
  4. On Alberto Balsam – Broken Sleep anthology
  5. Boundless + Transmission – Pollination
  6. Yeast + Headtail – Tentacular Magazine
++ MORE

Essays 
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  1. Being is a tender strength – Prototype 5
  2. Leaves, Alive and Otherwise – Still Point
  3. Heal Underfoot – Simulacrum
  4. Turning – Letters to the Earth
  5. Welcome to Elsewhere – NOIT Journal
++ MORE

Experimental Writing
++

Mark





Photography by Fiona Glen

Contact 


Visual essay of analogue photographs taken between June 2018 and May 2019, published in The Pluralist in April 2020. 

Caption: 

Creatures touch edges and tread in each other’s traces: shed hair, trails of mucus, shattered claws, secretions, scat, and scabs. We live in the debris of many kinds, amongst their lively textures, sounds, and scents. So, let yourself brush a rain-wet pelt; let another type of tongue taste your skin; listen for the sink of pond-dwellers who sensed you first; find the feel and form of animal bodies in the world around you. We are never ourselves without these others.